Chelsea Building, NYC SATURDAY, JANUARY 16, 2016

Chelsea Fire Escapes  14x14"  Acrylic

Chelsea Fire Escapes  14x14"  Acrylic

Lately I am working with old paintings that were started but never finished. In this case I barely got the painting going when apparently life got in the way and it got shuffled to some uncommon place, not to be seen for years. Who knows what reference I was using, a sketch? a photo? whatever, it's gone. It can be freeing to work out of my head when no reference is available, and give myself permission to make fresh decisions about how to make the piece work. I decided to work in a triad color scheme - tried and true red, yellow and blue.

Playing with Color Notes WEDNESDAY, DECEMBER 23, 2015

Jazzy Nude  8x10"  Acrylic  

Jazzy Nude  8x10"  Acrylic  

In early December I went to Florida to attend a 5 day conference sponsored by Golden Paints. The event included presentations by my colleagues on topics such as internet marketing, how to plan travel workshops, intuitive painting techniques, mixed media and collage, and much more. I learned so much my head is exploding.

One of my favorite workshops had us start out in an abstract, spontaneous manner, using a variety of mark making dry and wet materials, and gradually rein in the painting. Here is one of my paintings using that technique. The reference I used was a traditional figure painting I did back in the '90s, painted very realistically. I started out with a quick sketch and explored from there. It's an interesting approach that lends itself to abstraction, intuition and imagination ... a very enjoyable process!In early December I went to Florida to attend a 5 day conference sponsored by Golden Paints. The event included presentations by my colleagues on topics such as internet marketing, how to plan travel workshops, intuitive painting techniques, mixed media and collage, and much more. I learned so much my head is exploding.

One of my favorite workshops had us start out in an abstract, spontaneous manner, using a variety of mark making dry and wet materials, and gradually rein in the painting. Here is one of my paintings using that technique. The reference I used was a traditional figure painting I did back in the '90s, painted very realistically. I started out with a quick sketch and explored from there. It's an interesting approach that lends itself to abstraction, intuition and imagination ... a very enjoyable process!