Bleeker and Thompson St., NYC

"Red Awning"  8x8"  Oil  

A while back I was asked to do a painting for American Express that they could use as window sticker to be placed on doors of retail stores in cities in and around New York. They asked for a "typical" NYC image, so I headed downtown, and did a painting of the other street corner (the left hand side that doesn't show here). In typical NYC political fashion, the upper east side merchants wanted a scene that depicted their neck of the woods. So as luck would have it, I was hired to do two paintings, to make everyone happy. (No one was happier than me). This painting was from the pictures I took for that Amex job.  It was a cloudy day, but the job was a "rush" so no time to wait for better light.

Yesterday I came upon this photo and decided to paint it, but wanted to change it to a sunny day. I don't usually do that - but  that beautiful red awning seemed to need some drama. By adding some shadows and strong highlights I think I kinda pulled it off. And if I didn't, thats OK... it's definitely snappier than the photo.

Want to paint urban landscapes in an ancient hillside town in Italy? Come to the Cortona, Tuscany Workshop, Sept 24 - Oct 1, 2014.

Keeping Acrylic Paints Wet

I've been wanting to address this issue for some time, because I've received so many emails from people who saw my videos and want to know how I keep my paints wet.  So, here is the scoop...

I store my paints (Golden Heavy Body)  in a plastic craft bead box, or bead organizer. The one I use is divided into 18 compartments, the brand name is "Darice".  I bought it at Michaels or AC Moore.  It is a type of plastic that is sort of flexible and has some give to it (high density polyethylene). I don't buy the type made from hard plastic which is as rigid as glass, and snaps if you try to bend it. Reason being, the acrylic paint adheres to that type of rigid plastic and does not peel off when dry. BTW, the bead box is not air tight.

The reason my paints don't dry out, I am assuming, is that there is a LOT of paint in each compartment, and the amount of paint stored is a pretty thick depth-wise.  Acrylics dry when the water in the paint evaporates, and due to the thickness of the paint in each compartment, it takes a lot of time for the water to work its way out.  Plus I spritz all the paints while I am working. I may not have done that in the video, but in between filming segments, I spritzed.  Also, I put the whole container in a ziplock 2 gallon bag with a moist paper towel.  My paints last for months and months without drying out.  Its not a perfect solution, as eventually they seem to get a tad dry, but it works for me. I don't like setting out blobs of paint each time I have some time to paint, this allows me to flip the lid and start immediately. If you put tiny little blobs in the paint compartments, I can guarantee they will dry out fast.

If you want acrylic paints that dry 10 times slower, try "OPEN Paints", also by Golden.  They are a slightly lower viscosity (not as thick).  You can mix the regular heavy body paints with the OPEN paints too - they are perfectly compatible. If you mix in a 50/50 proportion, your paints will dry 5 times slower than the straight heavy body colors. You can also use the slow drying OPEN Medium, which, when mixed with either the OPEN or heavy body paints, helps increase the flow of the paint off your brush, and extends the dry time. You can also put a drop or two of OPEN Medium on each of your colors, whether you are working with blobs on your palette or in the compartments.

Many people use water as the medium with acrylics, not realizing that they could be using a medium such as "Polymer Medium".  When I want my paints to dry faster, I use water as the medium. When I want them to dry slower, I use a medium. Polymer Medium is glossy, Matte Medium is matte. OPEN is the slowest drying medium, and is available in both sheens.  Again, all OPEN products are designed to work with the faster drying acrylics too.

Another tip: You can use OPEN Titanium White in your mixures (rather than regular heavy body Titanium) to extend the dry time in any mixtures that have white in them.

I hope that helps! I hope it is also obvious why I did not answer each email individually :-)

On another note, I just got back from teaching a fabulous workshop in upstate New York. There were many break throughs - and I saw them happen! So many "ah ha! moments"... which makes me so happy.  I had a great crew of gals and guy, and was really inspired by the amazing work everyone did.

I'm looking forward to my next workshop in Tuscany in September. BTW it is open to all media --not just acrylics, as the fundamentals, value, color schemes, composition, etc, apply to all. Hope you can join us!

Rye Marina

"Rye Boat" 12x12" Acrylic  

I painted this one plein air, for an event/auction that was taking place that night. In true fashion, I never found time to scout out the better sites, it was about 3pm and I was frantically searching for some place to stop and do a painting - any painting. I saw a sign for "Rye Marina" and pulled in, pulled up, set up shop and made my self at home on property that was not open to the general public. I was way beyond out-of-time. No value sketch, I did quick value painting. Good enough, then jumped into color. By the time I was finishing up, the sun was low in the horizon and the owners of this adorable little boat showed up to take a spin. They offered me a sunset cruise - with beer - but I had to run. Threw the painting in a frame, (acrylics rock) turned it in, breathed a sigh of relief - Miller time!

Below I included a photo of the site, it needed a little infusion of color, I thought.

Ray's Pizza Route

"Ray's Pizza Route" 16x20" Acrylic  

It's memorial day. 80 degrees, not a cloud in the sky. I catch a scent of barbecues, and hear the faint sound of oldies playing on a radio... all this from my open studio window. Here I am, painting away. This is my idea of a holiday. I gave up pretending to be like everyone else a long time ago. That being said, I do have other ideas - but this one ranks way up there.

A looser approach to painting Tuscany

"Tuscan Church" 6x6"  Acrylic on Canvas  SOLD

I created this painting in a non-traditional manner, using stamps, cardboard and other items to apply the paint for unusual mark-making.  When it comes to interpreting subject matter in a looser fashion, the paint can be applied in so many different ways that can be unpredictable - in a good way. I've had several people inquire about my upcoming Tuscany workshop and ask if it is acrylics-only. The workshop is not media specific - oils, pastel, mixed media, watercolor - all are welcome. The fundamentals are the same, regardless of media. I will encourage an open minded approach to color - use it intuitively (with some regard to color basics). The workshop is in the lovely Cortona with ancient buildings, rolling hills and breathtaking vistas. Curious about the workshop and the itinerary? Click here.

Curious about Cortona? Watch some eye-opening videos on youtube...

Cortona: Island in the Sky

Cortona & Terre delle Leopoldine Part 1

Painting en Plein Air in Italy

Painting the Tuscan Landscape

Cortona: Island in the Sky

Steam to Marradi Part 1